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Stefan Roberts

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Stefan Roberts

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18 images

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  • Harper River - Waterlog - 92mls, <br />
2018, <br />
470 x 210mm (image size). <br />
Pigment ink on paper. <br />
<br />
First shown in the Walker & Hall Waiheke Art Award 2018. <br />
Premier Award. <br />
Selected by Noel Ivanoff, <br />
HOD Fine Art, <br />
Whitecliffe School of Art & Design.
    Harper River - Waterlog - 92mls.jpg
  • Peculiar optimism.<br />
2013.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Finalist - 2014 Walker & Hall Waiheke Art Award. <br />
Selected by Ian Jervis, Senior Lecturer Visual Arts, AUT University. <br />
First shown at the Waiheke Community Art Gallery, Waiheke Island, New Zealand.<br />
Peculiar optimism studies the perception of time and object permanence. Within the image, a full glass of red wine has been documented as it evaporates completely over an eight-week period, using one continuous camera exposure. The resulting image simultaneously represents both a full glass and an empty glass.
    Peculiar Optimism.jpg
  • The unseen candle casting light.<br />
2010.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Finalist - 2011 Walker & Hall Waiheke Art Awards. Selected by Henry Symonds, Dean of Instruction & Undergraduate Studies, Whitecliffe College. First shown at the Waiheke Community Art Gallery, Waiheke Island, New Zealand.
    The unseen candle casting light.jpg
  • Head of the Bay - Waterlog - 195 mls, <br />
2016, <br />
470 x 210 mm (image size), <br />
Pigment ink on paper.<br />
<br />
New Zealand Painting and Printmaking Award 2017. <br />
Selected by Roger Boyce.<br />
<br />
First shown in the Hamilton Garden Arts Festival, Hamilton, New Zealand. (2017, 17 - 26 February).
    Head of the Bay - Waterlog - 195mls.jpg
  • Untitled (Nape Nape #2).<br />
2001.<br />
490x320mm.<br />
C Type Print.<br />
Edition of Five. <br />
First shown in the exhibition "Nightscapes" in the Dobson Bashford Gallery, Christchurch (2001).<br />
"His work evokes loneliness and isolation; "Untitled" recalls a windswept Antarctic wilderness." John Stringer - Portals - March 2002.<br />
NZIPP print judging 2001 - Silver with distinction award.
    NapeNape_2.jpg
  • Looking beyond the shadowlands #2.<br />
2008.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "Face to Face" in the Centre of Contemporary Art (COCA),. Christchurch (2009).<br />
Finalist - COCA Anthony Harper Contemporary Art Award 2009. Select by Hamish Keith (Art commentator and author).
    LookingBeyondTheShadowlands_no2 V2.jpg
  • A moving point; Governors Bay.<br />
2011 / 2012 (1 year).<br />
167mm x 297mm (Image size).<br />
Pigment ink on paper.<br />
<br />
Editions of 10.<br />
<br />
First shown at the exhibition "Unknowable" at Chambers 241, Christchurch (2013).<br />
<br />
Finalist: The New Zealand Painting and Printmaking Award 2014  - Selected by J. Johnston (Curator, Judge).
    A_moving_point-Governors_Bay.jpg
  • Finding unclaimed baggage.<br />
2011.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "Tikkun Olam" at the Temple Gallery, Dunedin (2011). <br />
Merit Award - The New Zealand Painting and Printmaking Art Awards 2012 - Selected by John Daly-Peoples.
    Finding unclaimed baggage.jpg
  • Wood and light, fragments of a cross.<br />
2009.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. First shown at the dual exhibition "Cross" at the ChristChurch Cathedral, followed by the Centre of Contemporary Art (COCA), Christchurch (2009). <br />
Finalist - The New Zealand Painting and Printmaking Award 2011.<br />
Selected by Warwick Brown.
    Wood and light-fragments of a cross ...jpg
  • Hopper; Waiau.<br />
2012 / 2013 (9  months).<br />
167mm x 297mm (Image size).<br />
Pigment ink on paper.<br />
<br />
Editions of 10.<br />
<br />
First shown at the exhibition "Unknowable" at Chambers 241, Christchurch (2013).<br />
<br />
Finalist: The New Zealand Painting and Printmaking Award 2014 - Selected by  J. Johnston (Curator, Judge)
    Hopper-Waiau.jpg
  • Beyond the bunker.<br />
2001.<br />
320x490mm.<br />
C Type Print.<br />
Edition of Five. <br />
First shown in the exhibition "Assignment Aotearoa: Your Vision of New Zealand" Museum of New Zealand Te Papa Tongarewa, Wellington (2001).<br />
NZIPP print judging 2002 - Silver award.
    Beyond_the_bunker.jpg
  • Lake Lyndon – Waterlog – 140mls, <br />
2017, <br />
470 x 210 mm (image size), <br />
Pigment ink on paper. <br />
<br />
First shown in the group exhibition. "2017 National Contemporary Art Award", in the  Waikato Museum, Hamilton, New Zealand (2017, 29 July - 5 November). The work was selected by Director of Wellington’s City Gallery, Elizabeth Caldwell.
    Lake Lyndon – Waterlog – 140mls.jpg
  • Waiau River - Waterlog - 53mls, <br />
2019. <br />
470 x 210 mm (image size). <br />
Pigment ink on paper. <br />
First shown in the Cleveland National Art Awards, Otago Art Society, Dunedin, 2021.
    Waiau River - Waterlog - 53mls.jpg
  • Craigieburn, Arthur's Pass.<br />
2023. <br />
875 x 75mm (image size). <br />
Pigment ink on paper. <br />
First shown in the group show "Pinhole Exhibition", Unique Photo, Philadelphia, USA. Finalist in the Cleveland National Art Awards 2023, Otago Art Society, Dunedin.
    Craigieburn Arthurs Pass - detail-2.jpg
  • A time for everything.<br />
2010.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Finalist - 2010 Walker & Hall Waiheke Art Awards. Selected by Sara Hughes. First shown at the Waiheke Community Art Gallery, Waiheke Island, New Zealand.<br />
In the photograph ‘A time for everything’, a bouquet of flowers has been documented as it transitions from something considered beautiful, to that which is no longer valued and is discarded.  Passing from a state of living, to that of death.  Over the two-week period this took to occur, the camera has continuously recorded every second of the journey into a single collective visual experience.  The resulting image reveals a form of beauty that is greater than its original appearance.
    A time for everything.jpg
  • Looking beyond the shadowlands #1.<br />
2008.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "Face to Face" in the Centre of Contemporary Art (COCA),. Christchurch (2009).<br />
Finalist - New Zealand Painting and Printmaking Awards 2010. Selected by Courtney Johnston - Director of the Dowse Art Museum.
    LookingBeyondTheShadowlands_no1.jpg
  • Drift #2.<br />
2008.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
Finalist - New Zealand Painting and Printmaking Awards 2010. Selected by Courtney Johnston - Director of the Dowse Art Museum.<br />
This work is part of a series titled "drifting" where not everything appears to be right in paradise. There are signs of disquiet in isolated environments. Now in this scene with the road bounded by its equivalent of a white picket fence, all is eerily still.
    Drift_2 Final sized 8bit.jpg
  • Cabbage Tree.<br />
2001.<br />
320x490mm.<br />
C Type Print.<br />
Edition of Five (no editions available). <br />
First shown in the exhibition "Assignment Aotearoa: Your Vision of New Zealand" Museum of New Zealand Te Papa Tongarewa, Wellington (2001). Awarded as the overall winner of the exhibition.
    Cabbage Tree.jpg