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Stefan Roberts

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Stefan Roberts

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33 images

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  • Ascent.<br />
2000.<br />
1430 x 700mm (image size).<br />
Originally printed as Pigment ink on Canvas (other sizes and media options are available).<br />
Editions of 5.<br />
<br />
First shown in the exhibition "Beyond", Campbell Grant Galleries, Christchurch (2003).<br />
 <br />
"The more panoramic format of Ascent, and the mix of a moonrise that has the warmth and strength of colour we would normally associate with a sunrise, has a black bunker-like form with white painted in the normally dark corners. The memory recall for me was the film 2001 A Space Odyssey and the iconic power of the monolith. This was a technical challenge in terms of viewpoint and the moonrise exposure, but the resulting work and the emotional power of the painterly tones of the shadow scale show that the risk was well worth taking." <br />
Murray Hedwig, Chrysalis Seed News, April 2005, p.8.
    Ascent.jpg
  • In the wilderness #3.<br />
2007.<br />
700x700mm.<br />
Edition of Five. <br />
First shown in the exhibition "Strange Weather" in the Mair Gallery, Centre of Contemporary Art (COCA), 27th March – 15th April 2007.
    In the wilderness III.jpg
  • Departure.<br />
2007.<br />
700x700mm.<br />
Edition of Five. <br />
First shown in the exhibition "Strange Weather" in the Mair Gallery, Centre of Contemporary Art (COCA), 27th March – 15th April 2007.
    Departure.jpg
  • In the wilderness #1.<br />
2007.<br />
700x700mm.<br />
Edition of Five. <br />
First shown in the exhibition "Strange Weather" in the Mair Gallery, Centre of Contemporary Art (COCA), 27th March – 15th April 2007.
    In the wilderness I.jpg
  • In the wilderness #2.<br />
2007.<br />
700x700mm.<br />
Edition of Five. <br />
First shown in the exhibition "Strange Weather" in the Mair Gallery, Centre of Contemporary Art (COCA), 27th March – 15th April 2007.<br />
"Roberts' work is highly evocative, moving through time and space and establishing a melancholy and romanticism through the description of familiar landscapes" COCA Magazine, Issue 41. 2007
    In the wilderness II.jpg
  • Listen.<br />
2006.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Listen.jpg
  • Warnings #1.<br />
2005.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).<br />
<br />
" ... Warnings #2 and Warnings #1 have subjects that cannot be easily categorized. The subject, being something other than itself, has multiple interpretations. Linked to their success is the ambiguity in which the photographs where made." <br />
Johnathan Baker, CS Arts, January 2006, Pg. 25.
    Warnings-1.jpg
  • Sculpted #2.<br />
2007.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Sculpted_2.jpg
  • Elevated.<br />
2007.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Elevated.jpg
  • Linger.<br />
2003.<br />
655 x 655mm (image size).<br />
Originally printed as Pigment ink on Canvas (other sizes and media options are available).<br />
Edition of 5.<br />
<br />
"Linger has a painted fireplace that glows like a gold alter in an empty cold landscape." Murray Hedwig, Chrysalis Seed News, April 2004, p.8.<br />
<br />
First shown at the exhibition "Beyond", Campbell Grant Galleries, Christchurch (2003).
    Linger.jpg
  • Sculpted.<br />
2007.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Sculpted.jpg
  • Monument.<br />
2007.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Monument.jpg
  • Silent Council.<br />
2002.<br />
1050 x 1050mm (image size).<br />
Originally printed as Pigment ink on Canvas (other sizes and media options are available).<br />
Editions of 5.<br />
<br />
First shown in the exhibition "Beyond", Campbell Grant Galleries, Christchurch (2003).<br />
 <br />
"Like a cult sect gathering in a circle of power, the red glow from this circle is on a field of dense black and is counter balanced by the red-orange lines from the shipping light trails above." Murray Hedwig, Chrysalis Seed News, April 2005, p.8.
    Silent Council.jpg
  • Vigil #1<br />
2002.<br />
1050 x 1050mm (image size).<br />
Originally printed as Pigment ink on Canvas (other sizes and media options are available).<br />
Editions of 5.<br />
<br />
First shown in the exhibition "Beyond", Campbell Grant Galleries, Christchurch (2003).<br />
<br />
"His photographs of old wharf timbers on Dunedin's St Clair beach creates a procession of ancient wooden figures marching up from the breakers." Christopher Moore, The Press, February 25, 2004.
    Vigil-1.jpg
  • Looking beyond the shadowlands #2.<br />
2008.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "Face to Face" in the Centre of Contemporary Art (COCA),. Christchurch (2009).<br />
Finalist - COCA Anthony Harper Contemporary Art Award 2009. Select by Hamish Keith (Art commentator and author).
    LookingBeyondTheShadowlands_no2 V2.jpg
  • Warnings #2.<br />
2005.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).<br />
<br />
"... is an astonishingly captivating phtograph, ... Like a dream where reality is transposed with fantasy, the buoys are transformed from being natural to mystical figures.... Their presence in the landscape is not out of place, but yet, they seem detched and of a different nature." Johnathan Baker, CS Arts, January 2006, Pg. 25.
    Warnings-2.jpg
  • Vigil #2<br />
2002.<br />
1050 x 1050mm (image size).<br />
Originally printed as Pigment ink on Canvas (other sizes and media options are available).<br />
Editions of 5.<br />
<br />
First shown in the exhibition "Beyond", Campbell Grant Galleries, Christchurch (2003).<br />
<br />
"During the day these are commonplace structures and prosaic landscapes. Viewed through Roberts' camera they are transformed into mythical cult objects hovering mysteriously in a surreal world where totara fence posts are ancient totem figures glowing in the light of the rising sun." Christopher Moore, The Press, February 25, 2004.
    Vigil-2.jpg
  • Wandering Stock.<br />
2005.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).
    Wndring Stock.jpg
  • Where rust destroys.<br />
2004.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).<br />
<br />
"Stefan Roberts'Where Rust Destroys reveals something of the forces of nature and time in a dramatic image that celebrates the very tactile nature of such processes." Anita Robertson (curator) - Active: 45 Contemporary Artists, Exhibition catalog, Pg3. 2005. "His work... maps the effect of time through both disintegration and growth". Pg4.
    Where rust destroys.jpg
  • Hovering.<br />
2007.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Hovering.jpg
  • Immerse.<br />
2007.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Immerse.jpg
  • Looking beyond the shadowlands #1.<br />
2008.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "Face to Face" in the Centre of Contemporary Art (COCA),. Christchurch (2009).<br />
Finalist - New Zealand Painting and Printmaking Awards 2010. Selected by Courtney Johnston - Director of the Dowse Art Museum.
    LookingBeyondTheShadowlands_no1.jpg
  • Cross #2.<br />
2005.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).
    Cross-2.jpg
  • Preparation.<br />
2005.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).
    Preparation.jpg
  • The Incident.<br />
2005.<br />
695x540mm (image size).<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "End To Begin Again" at the Centre of Contemporary Art (COCA), Christchurch (2006).
    The Incident.jpg
  • Standing.<br />
2006.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Standing.jpg
  • Hovering #2.<br />
2007.<br />
Pigment ink on paper.<br />
520 x 415mm.<br />
Editions of 5. <br />
First shown at Campbell Grant Galleries, Christchurch (2007).
    Hovering_2.jpg
  • Even in dark places.<br />
2011.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "Tikkun Olam" at the Temple Gallery, Dunedin (2011).
    Even in dark places.jpg
  • Drift #2.<br />
2008.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
Finalist - New Zealand Painting and Printmaking Awards 2010. Selected by Courtney Johnston - Director of the Dowse Art Museum.<br />
This work is part of a series titled "drifting" where not everything appears to be right in paradise. There are signs of disquiet in isolated environments. Now in this scene with the road bounded by its equivalent of a white picket fence, all is eerily still.
    Drift_2 Final sized 8bit.jpg
  • Cross.<br />
2002. <br />
980 x 980 mm (image size). <br />
First shown in the exhibition "12: Dialogues with time" at COCA in Christchurch. (2003) - No prints available. <br />
This work is a homage to "Cross", Colin McCahon, 1959.
    Cross.jpg
  • Relic.<br />
2004.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).
    Relic.jpg
  • Obey.<br />
2005.<br />
695 x 540 mm (image size).<br />
Pigment ink on paper.<br />
Editions of five.<br />
First shown in the exhibion "Sign", Campbell Grant Galleries, Christchurch (2005).
    Obey.jpg
  • Finding unclaimed baggage.<br />
2011.<br />
520 x 415mm.<br />
Pigment ink on paper.<br />
Edition of five.<br />
First shown in the exhibition "Tikkun Olam" at the Temple Gallery, Dunedin (2011). <br />
Merit Award - The New Zealand Painting and Printmaking Art Awards 2012 - Selected by John Daly-Peoples.
    Finding unclaimed baggage.jpg